Post by sitomo101 on Mar 12, 2024 4:16:02 GMT
Is streaming the “new normal” of culture? The fact that Italians continued to dedicate themselves to reading in 2020 - as confirmed by the success of some social campaigns such as #ioleggochè - and the growth of subscriptions to streaming services seems to outline the future of live entertainment. In recent months, there have been various experiences, some of which were highly appreciated, which have allowed us to bring culture closer to the public. Let's think about the premiere of the Teatro alla Scala in Milan broadcast on Rai Uno, or the experiment of the Teatro dell'Argine which used Facebook groups to recreate the atmosphere of the theatre. streaming culture An Internet site for entertainment The "Netflix of culture" , promoted by the Minister for Cultural Heritage and Activities, Dario Franceschini , created in collaboration with Chili Spa .
It will host different channels dedicated to the arts in the Oman Phone Number Data complex, spaces for opera, theatre, music and art. An inclusive platform which, according to the minister, will continue to be valuable even after the end of the emergency. And this "after the end of the emergency" brings us back to the initial question: has the way we consume cultural products changed forever? What we have seen in 2020 is that digital works when it comes to television consumption (including TV series), reading books or newspapers and magazines. The experiments with ticketed film festivals and virtual theaters have also partly aroused curiosity. While live shows and virtual visits to museums remain a winning idea only on paper, at least for now. Not all is lost, however.
Observing Google Trend data , for example, it emerges that in the month of December some search keywords such as "concert", or "Teatro alla Scala", but also "dance" grew exponentially. Furthermore, on the occasion of the release of some popular films and TV series – such as “Tenet” , “I Hate Summer” or “Children” – there has been a surge in searches, testifying to the fact that the public has not lost interest in the cultural product. Perhaps, however, the "new normal" is still to be built and imagined. Whether it's streaming, live or a mix of the two, culture fans will continue to build it in 2021.
It will host different channels dedicated to the arts in the Oman Phone Number Data complex, spaces for opera, theatre, music and art. An inclusive platform which, according to the minister, will continue to be valuable even after the end of the emergency. And this "after the end of the emergency" brings us back to the initial question: has the way we consume cultural products changed forever? What we have seen in 2020 is that digital works when it comes to television consumption (including TV series), reading books or newspapers and magazines. The experiments with ticketed film festivals and virtual theaters have also partly aroused curiosity. While live shows and virtual visits to museums remain a winning idea only on paper, at least for now. Not all is lost, however.
Observing Google Trend data , for example, it emerges that in the month of December some search keywords such as "concert", or "Teatro alla Scala", but also "dance" grew exponentially. Furthermore, on the occasion of the release of some popular films and TV series – such as “Tenet” , “I Hate Summer” or “Children” – there has been a surge in searches, testifying to the fact that the public has not lost interest in the cultural product. Perhaps, however, the "new normal" is still to be built and imagined. Whether it's streaming, live or a mix of the two, culture fans will continue to build it in 2021.